<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:DOC-262P8EO8</identifier><date>2025</date><creator>Blaustein, Leopold</creator><relation>documents/doc/2/URN_NBN_SI_doc-262P8EO8_001.pdf</relation><relation>documents/doc/2/URN_NBN_SI_doc-262P8EO8_001.txt</relation><format format_type="issue">134/135</format><format format_type="volume">34</format><format format_type="type">article</format><format format_type="extent">str. 355-363</format><identifier identifier_type="ISSN">1318-3362</identifier><identifier identifier_type="COBISSID_HOST">264549123</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-262P8EO8</identifier><language>eng</language><publisher publisher_location="Ljubljana">Inštitut Nove revije - Zavod za humanistiko</publisher><source>Phainomena (Ljubljana)</source><rights>BY</rights><subject language_type_id="eng">four-strata theory</subject><subject language_type_id="eng">ideal concepts</subject><subject language_type_id="slv">idealna pojmovanja</subject><subject language_type_id="slv">literarno delo</subject><subject language_type_id="eng">literary work</subject><subject language_type_id="eng">multi-stratal</subject><subject language_type_id="slv">teorija štirih plasti</subject><subject language_type_id="slv">umetnina</subject><subject language_type_id="slv">večplastnost</subject><subject language_type_id="eng">work of art</subject><title>Review of Ingarden’s The Literary Work of Art</title></Record>