<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:DOC-9KCBYLNM</identifier><date>2025</date><creator>Troha, Gašper</creator><relation>documents/doc/9/URN_NBN_SI_doc-9KCBYLNM_001.pdf</relation><relation>documents/doc/9/URN_NBN_SI_doc-9KCBYLNM_001.txt</relation><format format_type="issue">1</format><format format_type="volume">13</format><format format_type="type">article</format><format format_type="extent">str. 142-159</format><identifier identifier_type="DOI">10.51937/Amfiteater-2025-1/142-159</identifier><identifier identifier_type="ISSN">1855-4539</identifier><identifier identifier_type="COBISSID_HOST">240618243</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-9KCBYLNM</identifier><language>eng</language><publisher publisher_location="[Ljubljana]">= University of Ljubljana Press</publisher><source>Amfiteater (Ljubljana)</source><rights>BY-SA</rights><subject language_type_id="slv">avantgarda</subject><subject language_type_id="eng">avant-garde</subject><subject language_type_id="slv">drama absurda</subject><subject language_type_id="eng">Eugene Ionesco</subject><subject language_type_id="eng">Peter Božič</subject><subject language_type_id="eng">Samuel Beckett</subject><subject language_type_id="eng">theatre of the absurd</subject><title>Peter Božič and the question of the authentic theatrical avant-garde in Slovenia in the second half of the 20th century</title></Record>