{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:DOC-B5QB5VEO/fe696051-5126-43c3-b190-e5bfbaa751ef/PDF","dcterms:extent":"392 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:DOC-B5QB5VEO/1380ffab-e98d-4c4f-bdbf-d86c0cd3bd39/TEXT","dcterms:extent":"40 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:DOC-B5QB5VEO/508f2cb4-8b45-4f22-bce4-e0201ff60ba2/PDF","dcterms:extent":"62 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:DOC-B5QB5VEO/05edf51f-284c-4cd3-9db1-9ed940bfe9d9/TEXT","dcterms:extent":"1 KB"}],"edm:TimeSpan":{"@rdf:about":"2015-2025","edm:begin":{"@xml:lang":"en","#text":"2015"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:DOC-B5QB5VEO","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-I624P2HE"},{"@xml:lang":"sl","#text":"Amfiteater (Ljubljana)"}],"dcterms:issued":"2019","dc:creator":"Angelopoulos, Tasos","dc:format":[{"@xml:lang":"sl","#text":"številka:1"},{"@xml:lang":"sl","#text":"letnik:7"},{"@xml:lang":"sl","#text":"str. 132-148"}],"dc:identifier":["ISSN:1855-4539","ISSN:1855-850X","COBISSID:239685632","COBISSID:249943040","URN:URN:NBN:SI:DOC-B5QB5VEO"],"dc:language":"en","dc:publisher":[{"@xml:lang":"sl","#text":"Akademija za gledališče, radio, film in televizijo"},{"@xml:lang":"sl","#text":"Društvo gledaliških kritikov in teatrologov Slovenije"}],"dc:subject":[{"@xml:lang":"sl","#text":"Aristofan"},{"@xml:lang":"en","#text":"Aristophanes"},{"@xml:lang":"en","#text":"comedies"},{"@xml:lang":"sl","#text":"družba"},{"@xml:lang":"sl","#text":"gledališče"},{"@xml:lang":"en","#text":"Greekness"},{"@xml:lang":"sl","#text":"grštvo"},{"@xml:lang":"sl","#text":"ideologija"},{"@xml:lang":"en","#text":"ideology"},{"@xml:lang":"sl","#text":"Karolos Koun"},{"@xml:lang":"sl","#text":"komedije"},{"@xml:lang":"sl","#text":"Nikos Karathanos"},{"@xml:lang":"sl","#text":"Ptiči"},{"@xml:lang":"en","#text":"society"},{"@xml:lang":"en","#text":"The birds"},{"@xml:lang":"en","#text":"theatre"}],"dcterms:temporal":{"@rdf:resource":"2015-2025"},"dc:title":{"@xml:lang":"sl","#text":"Theatre reception in Greece and the ideology of greekness| from Karolos Koun's (1959) to Nikos Karathanos's (2016) performance of Aristophane's The birds|"},"dc:description":[{"@xml:lang":"sl","#text":"The article presents an example of how the social and political ideology of Greekness has determined the way the Greek audience and critics interpret performances of Aristophanes's ancient comedies. Starting from the comparison of the director Nikos Karathanos's performance of Aristophanes's The Birds (2016) with Karolos Koun's performance of the same name in 1959, the article argues that Koun's The Birds imposed a specific aspect on Greekness , functioning as \"dominant rule\" even today. The article, integrated into a sociological aspect on theatre, suggests that each theatre performance transfers much more extra-theatrical (mostly social and ideological) meaning than we may believe and the interpretation of each specific theatrical action/reaction also passes through the understanding of the society in which it belongs"},{"@xml:lang":"sl","#text":"Namen pričujočega prispevka je pokazati, kako sta družbena in politična ideologija grštva vplivali na interpretativne okvire grškega občinstva in kritike pri recepciji odrskih uprizoritev antičnih Aristofanovih komedij. Prispevek izhaja iz primerjave Aristofanovih Ptičev v režiji Nikosa Karathanosa iz leta 2016 z istoimensko uprizoritvijo v režiji Karolosa Kouna iz leta 1959 in zagovarja stališče, da je Koun s svojo režijo Ptičev pojmu grštva vtisnil svojevrsten pečat, ki prevladuje še danes. Prispevek se osredotoča na sociološki vidik gledališča in pokaže, da vsaka gledališka uprizoritev posreduje mnogo več zunajgledaliških (večinoma socioloških in ideoloških) pomenov, kot si morda mislimo, ter da interpretacija posameznega gledališkega dogodka oziroma odziva poteka znotraj pojmovnih okvirov družbe, v kateri nastane"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:DOC-B5QB5VEO","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:DOC-B5QB5VEO"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:DOC-B5QB5VEO/fe696051-5126-43c3-b190-e5bfbaa751ef/PDF"},"edm:rights":{"@rdf:resource":"http://rightsstatements.org/vocab/InC/1.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Slovenski gledališki inštitut (SLOGI)"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:DOC-B5QB5VEO/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:DOC-B5QB5VEO"}}}}