<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:DOC-J0FTMWQN</identifier><date>2012</date><creator>Divjak, Alenka</creator><relation>documents/doc/J/URN_NBN_SI_doc-J0FTMWQN_001.pdf</relation><relation>documents/doc/J/URN_NBN_SI_doc-J0FTMWQN_001.txt</relation><format format_type="issue">1/2</format><format format_type="volume">45</format><format format_type="type">article</format><format format_type="extent">str. 139-152</format><identifier identifier_type="ISSN">0567-784X</identifier><identifier identifier_type="COBISSID">50595938</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-J0FTMWQN</identifier><language>eng</language><publisher publisher_location="Ljubljana">Znanstvena založba Filozofske fakultete</publisher><source>Acta neophilologica</source><rights>InC</rights><subject language_type_id="slv">angleška književnost</subject><subject language_type_id="slv">idiomi</subject><subject language_type_id="slv">junaška poezija</subject><subject language_type_id="slv">krščanska tematika</subject><subject language_type_id="slv">staroangleška književnost</subject><title>an artistic misconduct or a convincing blend of traditional literary concepts and new Christian ideas?</title><title>The exploitation of heroic conventions in the OE poem Andreas</title></Record>