<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:DOC-R4WJVA83</identifier><date>2020</date><creator>Turk, Boštjan Marko</creator><relation>documents/doc/R/URN_NBN_SI_doc-R4WJVA83_001.pdf</relation><relation>documents/doc/R/URN_NBN_SI_doc-R4WJVA83_001.txt</relation><format format_type="issue">1/2</format><format format_type="volume">53</format><format format_type="type">article</format><format format_type="extent">str. 195-206</format><identifier identifier_type="ISSN">0567-784X</identifier><identifier identifier_type="COBISSID_HOST">40083459</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-R4WJVA83</identifier><language>fre</language><publisher publisher_location="Ljubljana">Znanstvena založba Filozofske fakultete</publisher><source>Acta neophilologica</source><rights>BY-SA</rights><subject language_type_id="slv">francoska književnost</subject><subject language_type_id="slv">ikone</subject><subject language_type_id="slv">kult jaza</subject><subject language_type_id="slv">manierizem</subject><subject language_type_id="slv">pravoslavje</subject><subject language_type_id="slv">ptički brez gnezda</subject><subject language_type_id="slv">svetniki</subject><subject language_type_id="slv">teofanija</subject><title>Maurice Barres et l'icône de l'art moderne</title></Record>