<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:DOC-R6Q453F0</identifier><date>2014</date><creator>Cvar, Nina</creator><relation>documents/doc/R/URN_NBN_SI_doc-R6Q453F0_001.pdf</relation><relation>documents/doc/R/URN_NBN_SI_doc-R6Q453F0_001.txt</relation><format format_type="type">article</format><format format_type="issue">letn. 51</format><format format_type="extent">str. 38-39</format><identifier identifier_type="ISSN">0013-3302</identifier><identifier identifier_type="COBISSID">282161152</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-R6Q453F0</identifier><language>slv</language><publisher publisher_location="Ljubljana">Slovenska kinoteka</publisher><source>Ekran (Ljubljana)</source><rights>InC</rights><subject language_type_id="slv">filmske kritike</subject><subject language_type_id="slv">kratki filmi</subject><subject language_type_id="slv">Prespana pomlad</subject><subject language_type_id="slv">slovenski film</subject><title>Prespana pomlad</title><title>Še kako živa budnost filma</title></Record>