<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:DOC-UWGDEMJ7</identifier><date>2022</date><creator>Toporišič, Tomaž</creator><relation>documents/doc/U/URN_NBN_SI_doc-UWGDEMJ7_001.pdf</relation><relation>documents/doc/U/URN_NBN_SI_doc-UWGDEMJ7_001.txt</relation><format format_type="volume">10</format><format format_type="issue">2</format><format format_type="type">article</format><format format_type="extent">str. 18-49</format><identifier identifier_type="DOI">10.51937/Amfiteater-2022-2/18-49</identifier><identifier identifier_type="COBISSID_HOST">136233475</identifier><identifier identifier_type="ISSN">1855-4539</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-UWGDEMJ7</identifier><language>eng</language><publisher publisher_location="Ljubljana">Slovenski gledališki inštitut</publisher><source>Amfiteater (Ljubljana)</source><rights>BY</rights><subject language_type_id="eng">contemporary theatre and drama</subject><subject language_type_id="slv">ne več dramski gledališki tekst</subject><subject language_type_id="eng">neo-dramatic</subject><subject language_type_id="slv">neodramsko</subject><subject language_type_id="eng">no-longer dramatic text</subject><subject language_type_id="eng">post-dramatic</subject><subject language_type_id="slv">postpostdramsko</subject><subject language_type_id="eng">re-dramatisation</subject><subject language_type_id="slv">redramatizacija</subject><subject language_type_id="slv">sodobno gledališče in drama</subject><title>How can we interpret the 21st-century (no longer) dramatic texts and theatre in art and theory?</title></Record>