<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:DOC-VCEM4Y0D</identifier><date>1997</date><creator>Emeršič-Mali, Živa</creator><relation>documents/doc/V/URN_NBN_SI_doc-VCEM4Y0D_001.pdf</relation><relation>documents/doc/V/URN_NBN_SI_doc-VCEM4Y0D_001.txt</relation><format format_type="issue">3/4</format><format format_type="volume">34</format><format format_type="type">article</format><format format_type="extent">str. 44-45</format><identifier identifier_type="ISSN">0013-3302</identifier><identifier identifier_type="COBISSID">76343808</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-VCEM4Y0D</identifier><language>slv</language><publisher publisher_location="Ljubljana">Slovenska kinoteka</publisher><source>Ekran (Ljubljana)</source><rights>InC</rights><subject language_type_id="slv">Cannes</subject><subject language_type_id="slv">filmske kritike</subject><subject language_type_id="slv">filmski festivali</subject><subject language_type_id="slv">ocene in poročila</subject><subject language_type_id="slv">Popolni krog</subject><title>Ademir Kenović</title><title>film kot problem distance in srca</title></Record>