{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:col-QEGBGUOR/e0a5a4fb-3ce9-4f7f-a1a7-4ebb27f38c2c/WEB","dcterms:extent":"0 KB"},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:col-QEGBGUOR","dcterms:issued":"1887-1926","dc:identifier":"URN:URN:NBN:SI:col-QEGBGUOR","dc:language":["hr","sl"],"dc:source":{"@xml:lang":"sl","#text":"rokopisi"},"dc:title":{"@xml:lang":"sl","#text":"RDEČA PENTLJA V RAZKUŠTRANIH LASEH \"NOVE ŽENSKE\"| A RED BOW IN THE DISHEVELED HAIR OF THE 'NEW WOMAN'|"},"dc:description":[{"@xml:lang":"sl","#text":"<div><span class=\"Yjhzub\" jsaction=\"\" jscontroller=\"zYmgkd\" data-sfc-root=\"c\" jsuid=\"C3eHdf_o\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" aria-owns=\"action-menu-parent-container\" style=\"font-weight: 700; color: rgb(10, 10, 10); font-family: &quot;Google Sans&quot;, Arial, sans-serif; font-size: 16px; background-color: rgb(255, 255, 255);\">A RED BOW IN THE DISHEVELED HAIR OF THE \"NEW WOMAN\"</span></div><div>Zofka Kveder (1878–1926) was a writer who worked across four cultural spheres: Slovenian, Czech, Croatian, and German. A vast number of her letters are preserved in the LETTERS collection; here, we present one of the boldest intimate confessions ever written by a woman in her era.</div><div>A RED BOW IN THE DISHEVELED HAIR OF THE \"NEW WOMAN\"</div><div>Zofka Kveder was the true embodiment of the so-called \"New Woman\"—a specific group of women who stepped out of the domestic sphere and family life, moved beyond traditional gender roles, and entered the public space, where they had to succeed through their own abilities. The desire to cross boundaries and move freely, so characteristic of \"New Women,\" accompanied Zofka Kveder throughout her life. She crossed the borders of her country and her language, but also the limits and restrictions society imposed on women. The restrictions that most deeply intruded into women's private lives were those related to sexuality. Girls were expected to enter marriage without any experience of this kind. Zofka Kveder did not defy this simply by having an affair while unmarried. Even when she became pregnant, she decided not to marry the child's father. Although she later stood before a registrar in Prague with Vlado Jelovšek, she nevertheless lived in her own apartment with her daughter, Vladoša. In a letter to her friend Ivanka Anžič, found in the LETTERS collection, she described without any inhibition how she spent her days and nights in Prague with Jelovšek:</div><div>\"I tease him terribly sometimes. You know, I tie a red ribbon around my neck, make a grand bow, toss my head a little so my hair becomes seductively disheveled, and then I kiss him, kiss him so he can't even breathe—his eyes, mouth, face, and chest—he is so gorgeous, so gorgeous! You know, when I see him like that—naked, beautiful, young, fresh, wonderful—suddenly my soul feels so divine, so sacred! Because he is so beautiful! I feel purely pious. 'My Christ, my Christ!' I think to myself, and suddenly I become quiet and gentle, and I just watch him. But you know, when I am wild, when my gypsy blood boils, then I kiss him, oh! I envelop him entirely in my burning love.\"</div><div>— Dr. Katja Mihurko</div><div><br></div>"},{"@xml:lang":"sl","#text":"<div>RDEČA PENTLJA V RAZKUŠTRANIH LASEH 'NOVE ŽENSKE'</div><div><br></div><div><br></div><div>Zofka Kveder (1878-1926) je bila pisateljica, ki je delovala v štirih kulturnih prostorih: slovenskem, češkem, hrvaškem in nemškem. Zelo veliko njenih pisem je v zbirki PISMA, predstavljamo vam eno izmed najbolj drznih intimnih izpovedi izpod ženskega peresa v njeni dobi nasploh.</div><div><br></div><div>RDEČA PENTLJA V RAZKUŠTRANIH LASEH 'NOVE ŽENSKE'</div><div>Zofka Kveder je bila pravo utelešenje t. i. »nove ženske«, posebne skupine žensk, ki je izstopila iz sfere domačnosti in družinskega življenja, iz tradicionalnih spolnih vlog in vstopila v javni prostor, v katerem so se morale prebiti z lastnimi sposobnostmi. Želja po prestopanju mej, po svobodnem gibanju, tako značilna za “nove ženske”, je Zofko Kveder spremljala vse življenje. Prestopila je meje svoje dežele, svojega jezika, a tudi meje in omejitve, ki jih je družba postavila ženskam. Tiste omejitve, ki so najbolj posegale v intimno življenje žensk, so bile povezane s spolnostjo. Dekleta so morala vstopiti v zakon brez vsakih tovrstnih izkušenj. Zofka Kveder se ni postavila temu po robu le tako, da je imela razmerje, četudi ni bila poročena. Tudi ko je zanosila, se je namreč odločila, da se z očetovim otrokom ne poroči. Kasneje je z Vladom Jelovškom sicer stopila pred praškega matičarja, a vseeno živela v svojem stanovanju s hčerko Vladošo. V pismu prijateljici Ivanki Anžič, ki ga najdete v zbirki PISMA, je povsem brez zadržkov opisala, kako je preživljala dneve in noči v Pragi z Jelovškom:</div><div><br></div><div>»Grozno ga včasih dražim. Veš, krog vratu si zavežem rdeč trak, napravim imenitno pentljo, malo zavrtim z glavo, da se mi lasje prav zapeljivo razkuštrajo, pa ga poljubljam, poljubljam, da niti dihati ne more, oči, usta, obraz in prsa, - tako je krasen, tako je krasen! Veš, kadar ga vidim tako golega, lepega, mladega, svežega, krasnega, mi postane naenkrat tako divno v duši, tako sveto! Če je pa tako lep! Čisto pobožno mi je. »Moj Kristus, moj Kristus!« se mi zdi in nakrat postanem tiha in nežna in samo gledam ga. Ali znaš, kadar sem divja, kadar mi moja ciganska kri zavre, potem ga poljubljam, uh! Vsega zagrnem v svojo vročo ljubav.«</div><div><br></div><div>dr. Katja Mihurko</div>"}],"edm:type":"TEXT"},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:col-QEGBGUOR","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:col-QEGBGUOR"},"edm:rights":{"@rdf:resource":"http://creativecommons.org/publicdomain/mark/1.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:dataProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:col-QEGBGUOR/maxi/edm"},"edm:isShownBy":{"@rdf:resource":""},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:col-QEGBGUOR"}}}}