<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-00L0OHGU</identifier><date>2010</date><creator>Kastelec, Jernej</creator><relation>documents/doc/0/URN_NBN_SI_doc-00L0OHGU_001.pdf</relation><relation>documents/doc/0/URN_NBN_SI_doc-00L0OHGU_001.txt</relation><format format_type="issue">1/2</format><format format_type="volume">39</format><format format_type="type">article</format><format format_type="extent">str. 68-76</format><identifier identifier_type="ISSN">1318-1238</identifier><identifier identifier_type="COBISSID">254377728</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-00L0OHGU</identifier><language>slv</language><publisher>Društvo SKAM</publisher><source>Tretji dan (Ljubljana)</source><rights>InC</rights><subject language_type_id="slv">film</subject><subject language_type_id="slv">teorija</subject><subject language_type_id="slv">vera</subject><title>Ko film postane pričevanje</title></Record>