<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-0LDD02OB</identifier><date>2024</date><creator>Šentevska, Irena</creator><relation>documents/doc/0/URN_NBN_SI_doc-0LDD02OB_001.pdf</relation><relation>documents/doc/0/URN_NBN_SI_doc-0LDD02OB_001.txt</relation><format format_type="issue">2</format><format format_type="volume">34</format><format format_type="type">article</format><format format_type="extent">str. 145-158</format><identifier identifier_type="DOI">10.19233/ASHS.2024.10</identifier><identifier identifier_type="ISSN">1408-5348</identifier><identifier identifier_type="COBISSID">246341635</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-0LDD02OB</identifier><language>eng</language><publisher>Zgodovinsko društvo za Južno Primorsko</publisher><source>Annales. Series historia et sociologia</source><rights>BY-NC</rights><subject language_type_id="slv">Jugoslavija</subject><subject language_type_id="slv">kulturna diplomacija</subject><subject language_type_id="slv">Laibach</subject><subject language_type_id="slv">mednarodno sodelovanje</subject><subject language_type_id="slv">Slovenija</subject><subject language_type_id="slv">slovenska glasba</subject><subject language_type_id="slv">slovenski glasbeniki</subject><title>How do you solve a problem like Bosnia?</title><title>Laibach as cultural ambassadors in the post-Yugoslav contex</title></Record>