<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-0MKT1SY0</identifier><date>2021</date><creator>Petrov, Ana</creator><relation>documents/doc/0/URN_NBN_SI_doc-0MKT1SY0_001.pdf</relation><relation>documents/doc/0/URN_NBN_SI_doc-0MKT1SY0_001.txt</relation><format format_type="issue">2</format><format format_type="volume">57</format><format format_type="type">article</format><format format_type="extent">str. 207-225</format><identifier identifier_type="ISSN">0580-373X</identifier><identifier identifier_type="DOI">10.4312/mz.57.2.207-225</identifier><identifier identifier_type="COBISSID">150329859</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-0MKT1SY0</identifier><language>eng</language><publisher publisher_location="Ljubljana">Založba Univerze v Ljubljani</publisher><source>Muzikološki zbornik</source><rights>BY-SA</rights><subject language_type_id="slv">jugonostalgija</subject><subject language_type_id="slv">jugoslovanska zabavna glasba</subject><subject language_type_id="slv">Lepa Brena</subject><subject language_type_id="slv">pevke popularne glasbe</subject><subject language_type_id="slv">politika glasbe</subject><subject language_type_id="slv">popularna glasba</subject><title>From a Yugoslav to a Balkan star and back</title><title>Lepa Brena's public figure in transition</title></Record>