<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-0Q40D37A</identifier><date>2021</date><creator>Rakochi, Vadim</creator><relation>documents/doc/0/URN_NBN_SI_doc-0Q40D37A_001.pdf</relation><relation>documents/doc/0/URN_NBN_SI_doc-0Q40D37A_001.txt</relation><format format_type="issue">1</format><format format_type="volume">57</format><format format_type="type">article</format><format format_type="extent">str. 25-63</format><identifier identifier_type="ISSN">0580-373X</identifier><identifier identifier_type="DOI">10.4312/mz.57.1.25-63</identifier><identifier identifier_type="COBISSID">150155523</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-0Q40D37A</identifier><language>eng</language><publisher publisher_location="Ljubljana">Založba Univerze v Ljubljani</publisher><source>Muzikološki zbornik</source><rights>BY-SA</rights><subject language_type_id="slv">Brahms, Johannes: Drugi klavirski koncert</subject><subject language_type_id="slv">klasicistični in romantični pristopi</subject><subject language_type_id="slv">orkestracija</subject><subject language_type_id="slv">sinteze</subject><title>Orchestration as a means of the synthesis of classical and romantic approaches in Brahms' Second Piano Concerto</title></Record>