<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-1P5KXFCG</identifier><date>1995</date><creator>Jay, Martin</creator><relation>documents/doc/1/URN_NBN_SI_doc-1P5KXFCG_001.pdf</relation><relation>documents/doc/1/URN_NBN_SI_doc-1P5KXFCG_001.txt</relation><format format_type="issue">1</format><format format_type="volume">16</format><format format_type="type">article</format><format format_type="extent">str. 117-134</format><identifier identifier_type="ISSN">0353-4510</identifier><identifier identifier_type="COBISSID">73949952</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-1P5KXFCG</identifier><language>slv</language><publisher>Filozofski inštitut ZRC SAZU</publisher><source>Filozofski vestnik</source><rights>BY-NC-ND</rights><subject language_type_id="slv">moderna umetnost</subject><subject language_type_id="slv">teorija umetnosti</subject><subject language_type_id="slv">vid</subject><subject language_type_id="slv">vrednotenje</subject><title>ameriški odziv na francosko kritiko okularocentrizma</title><title>Vračanje pogleda</title></Record>