{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-1U4GECTZ/86413990-7efd-41a5-a28b-075e7fa3cd46/PDF","dcterms:extent":"283 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-1U4GECTZ/f09b1de4-9484-435f-8be0-8f3c428c9db1/TEXT","dcterms:extent":"54 KB"}],"edm:TimeSpan":{"@rdf:about":"2009-2025","edm:begin":{"@xml:lang":"en","#text":"2009"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-1U4GECTZ","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-GMZ1HMBU"},{"@xml:lang":"sl","#text":"Vestnik za tuje jezike"}],"dcterms:issued":"2017","dc:creator":"Primožič, Jerneja","dc:format":[{"@xml:lang":"sl","#text":"številka:1"},{"@xml:lang":"sl","#text":"letnik:9"},{"@xml:lang":"sl","#text":"str. 25-43"}],"dc:identifier":["ISSN:1855-8453","COBISSID_HOST:65992546","URN:URN:NBN:SI:doc-1U4GECTZ"],"dc:language":["fr","sl"],"dc:publisher":{"@xml:lang":"sl","#text":"Znanstvena založba Filozofske fakultete"},"dc:subject":[{"@xml:lang":"sl","#text":"besedne zveze"},{"@xml:lang":"en","#text":"cognitive linguistics"},{"@xml:lang":"en","#text":"comparative studies"},{"@xml:lang":"sl","#text":"čutno zaznavanje"},{"@xml:lang":"sl","#text":"francoščina"},{"@xml:lang":"en","#text":"French"},{"@xml:lang":"en","#text":"French language"},{"@xml:lang":"sl","#text":"jezik in glasba"},{"@xml:lang":"sl","#text":"kognitivno jezikoslovje"},{"@xml:lang":"en","#text":"language and music"},{"@xml:lang":"sl","#text":"metafora"},{"@xml:lang":"en","#text":"metaphor"},{"@xml:lang":"en","#text":"perception"},{"@xml:lang":"sl","#text":"primerjalne študije"},{"@xml:lang":"sl","#text":"sinestezija"},{"@xml:lang":"en","#text":"Slovene"},{"@xml:lang":"en","#text":"Slovene language"},{"@xml:lang":"sl","#text":"slovenščina"},{"@xml:lang":"en","#text":"synaesthesia"},{"@rdf:resource":"http://www.wikidata.org/entity/Q9063"}],"dcterms:temporal":{"@rdf:resource":"2009-2025"},"dc:title":{"@xml:lang":"sl","#text":"Les métaphores synesthésiques et le son|"},"dc:description":[{"@xml:lang":"sl","#text":"This paper analyses a phenomenon called synaesthetic metaphors, in which one sensory modality is described in terms of another (e.g. bright sound, sharp taste, sweet smell). The aim of the research, based on the contrastive analysis of Slovenian and French music reviews, is to determine which sense domains are employed for (synaesthetic) description of sound, more precisely music, and how frequent they are. In this regard the paper examines the directionality principle according to which more concrete and more accessible lower senses (touch, taste, smell) tend to map onto less concrete and less accessible higher senses (sound, sight). Furthermore, the analysis focuses on two other aspects: the conventionality of synaesthetic metaphors and their connotative meaning. Since the source and target domain in synaesthetic transfers belong to sense domains, the paper emphasizes the experiential - i.e. perceptive, cognitive, and sociocultural - dimension of this phenomenon, with regard to which rises the main question concerning the universal and cultural tendencies of synaesthetic metaphors"},{"@xml:lang":"sl","#text":"Članek preučuje pojav t. i. sinestetičnih metafor, pri katerih je eno čutno področje opisano v okviru drugega (npr. svetel zvok, oster okus, sladek vonj). Cilj primerjalne raziskave, ki temelji na analizi slovenskih in francoskih glasbenih kritik, je ugotoviti, katera čutna področja sodelujejo pri (sinestetičnem) opisu slušnih zaznav oz. natančneje glasbe in kakšna je njihova zastopanost. Pri tem se preverja načelo usmerjenosti, po katerem naj bi se sinestetični prenosi vršili v smeri od bolj konkretnih nižjih čutov (tip, okus, voh) k abstraktnejšim višjim čutom (vid, sluh). Pomemben predmet raziskave predstavlja tudi vprašanje ustaljenosti zbranih sinestetičnih izrazov in njihove vrednotenjske zaznamovanosti. Ker tako izhodiščno kot ciljno področje sinestetičnih prenosov zastopajo izrazi čutnega zaznavanja, je relevanten izkustveni - tj. čutnozaznavni, spoznavni in družbeno-kulturni - vidik pojava, pri čemer se kot ključno zastavlja vprašanje univerzalnosti in kulturne pogojenosti sinestetičnih zvez"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-1U4GECTZ","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-1U4GECTZ"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-1U4GECTZ/86413990-7efd-41a5-a28b-075e7fa3cd46/PDF"},"edm:rights":{"@rdf:resource":"http://creativecommons.org/licenses/by-sa/4.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Znanstvena založba Filozofske fakultete"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-1U4GECTZ/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-1U4GECTZ"}}}}