<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-1WG1F4KK</identifier><date>2018</date><creator>Braginskaya, Nina V.</creator><relation>documents/doc/1/URN_NBN_SI_doc-1WG1F4KK_001.pdf</relation><relation>documents/doc/1/URN_NBN_SI_doc-1WG1F4KK_001.txt</relation><format format_type="volume">20</format><format format_type="issue">3</format><format format_type="type">article</format><format format_type="extent">str. 27-40</format><identifier identifier_type="ISSN">1580-0261</identifier><identifier identifier_type="COBISSID">25436419</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-1WG1F4KK</identifier><language>eng</language><publisher>Znanstvena založba Filozofske fakultete</publisher><source>Keria (Ljubljana)</source><rights>BY-SA</rights><subject language_type_id="slv">literarne študije</subject><subject language_type_id="slv">rusko gledališče</subject><subject language_type_id="slv">simbolistične ideje</subject><subject language_type_id="slv">slovanska renesansa</subject><subject language_type_id="slv">uprizarjanje klasičnih tragedij</subject><title>Symbolist ideas in the scripts of Gupolitprosvet</title><title>the theory and practice of proletarian performance</title></Record>