347 KB32 KB195520252021Čeh Steger, Jožicaštevilka:4letnik:66str. 27-37, 139ISSN:0021-6933COBISSID_HOST:94489347URN:URN:NBN:SI:doc-2OK3WYTXslSlavistično društvo SlovenijeJezik in slovstvoCankar, Ivanintermedialityliterarno-likovne kombinacijeliterarno-likovne relacijeliterary-artistic combinationsliterary-artistic relationsmedmedialnostnarrationpictorial metaphorpripovedništvoslikovna metaforaSlovenian literatureSlovenian proseSlovenska prozaLiterarno-likovna medmedialnost v Cankarjevi zgodnji kratki prozi|The present contribution focuses on Cankar’s interest in the fine arts and in elements of literary-artistic intermediality in his early short prose. At the turn of the twentieth century, Cankar fervently acquired knowledge of works of fine art in Vienna, collaborated with Slovenian painters in the furnishing of books with artworks, and even used some artists as a source for his literary works. In the case of Jager’s secessionist furnishing of Cankar’s Vignettes 8 (1899), the ornamental covers and the vignettes of the opinionated Carniolan faun, a form of intermedial literary-artistic combination is presented in which literary and artistic expression complement each other in terms of both content and style. In the vignettes of the opinionated Carniolan faun, one recognises the hybrid pictorial metaphor and the linguistic-pictorial metaphor. Literary-artistic relations are contemplated in individual references to the fine arts, in the literary descriptions of paintings, in the literary protagonists, and at the level of the metaphorical transfer of stylistic elements of painting (contrast, ornamentation, contours, lines, two-dimensionality, etc.) to literary textsPričujoči prispevek se osredinja na Cankarjevo zanimanje za likovno umetnost in prvine literarno-likovne medmedialnosti v njegovi zgodnji kratki prozi. Na prelomu stoletja se je pisatelj na Dunaju intenzivno seznanjal s slikarskimi umetninami, sodeloval s slovenskimi slikarji pri opremi knjig in nekatere uporabil tudi kot predlogo za literarna dela. Na primeru Jagrove secesionistične opreme Cankarjevih Vinjet (1899), ornamentalne naslovnice in vinjete kranjskega kritikastrskega favna, je predstavljena oblika medmedialne literarno-likovne kombinacije, v kateri se literarna in likovna govorica vsebinsko in slogovno dopolnjujeta. V vinjeti kranjskega kritikastrskega favna sta prepoznavni hibridna slikovna metafora in jezikovo-slikovna metafora. Literarno-likovne relacije so opazovane v posameznih referencah na slikarstvo, v literarnih opisih slik, ob literarnih osebah in na ravni metaforičnega prenašanja prvin likovnega stila (kontrasta, ornamenta, kontur, linije idr.) v literarno besediloTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaSlavistično društvo Slovenije