<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-3DFX50YB</identifier><date>2018</date><creator>Holzer, Irene</creator><relation>documents/doc/3/URN_NBN_SI_doc-3DFX50YB_001.pdf</relation><relation>documents/doc/3/URN_NBN_SI_doc-3DFX50YB_001.txt</relation><format format_type="volume">14</format><format format_type="issue">2</format><format format_type="type">article</format><format format_type="extent">str. 25-42</format><identifier identifier_type="ISSN">1854-3405</identifier><identifier identifier_type="COBISSID">44310829</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-3DFX50YB</identifier><language>ger</language><publisher>Muzikološki inštitut ZRC SAZU</publisher><source>De musica disserenda</source><rights>InC</rights><subject language_type_id="slv">Essen</subject><subject language_type_id="slv">koral</subject><subject language_type_id="slv">Kristusovo vstajenje</subject><subject language_type_id="slv">liturgija</subject><subject language_type_id="slv">Nemčija</subject><subject language_type_id="slv">opatije</subject><subject language_type_id="slv">ženski samostani</subject><title>Das unsichtbare Hören</title><title>der dreifache Auferstehungsruf im Liber ordinarius des Frauenstiftes von Essen</title></Record>