<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-425F39VP</identifier><date>2022</date><creator>De Paiva Santana, Charles</creator><creator>Elipe-Gimeno, Javier</creator><relation>documents/doc/4/URN_NBN_SI_doc-425F39VP_001.pdf</relation><relation>documents/doc/4/URN_NBN_SI_doc-425F39VP_001.txt</relation><format format_type="issue">2</format><format format_type="volume">58</format><format format_type="type">article</format><format format_type="extent">str. 155-174</format><identifier identifier_type="ISSN">0580-373X</identifier><identifier identifier_type="DOI">10.4312/mz.58.2.155-174</identifier><identifier identifier_type="COBISSID">181900291</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-425F39VP</identifier><language>eng</language><publisher>Založba Univerze v Ljubljani</publisher><source>Muzikološki zbornik</source><rights>BY-SA</rights><subject language_type_id="slv">algoritemska glasba</subject><subject language_type_id="slv">eksperimentalni film</subject><subject language_type_id="slv">glasba</subject><subject language_type_id="slv">kompozicija</subject><subject language_type_id="slv">orkestracija</subject><subject language_type_id="slv">video analize</subject><title>Transcoding as a comositional paradigm</title><title>the association of compositional parameters and computer analysis of moving images in Outer Space</title></Record>