91 KB379 KB82 KB196520252007Schüler, Nicoštevilka:2letnik:43str. 371-396ISSN:0580-373XCOBISSID:36328546URN:URN:NBN:SI:doc-478OCSKAenFilozofska fakulteta, Oddelek za muzikologijoMuzikološki zbornikglasbaglasbene slovnicekognicijamusicpsihologijapsychologyračunalniška analizaOd glasbenih slovnic h kogniciji glasbe v osemdesetih in devetdesetih letih 20. stoletja| From musical grammars to music cognition in the 1980s and 1990s| highlights of the history of computer-assisted music analysis| viški zgodovine računalniško podprte analize glasbe|While approaches that had already established historical precedents - computer-assisted analytical approaches drawing on statistics and information theory - developed further, many research projects conducted during the 1980s aimed at the development of new methods of computer-assisted music analysis. Some projects discovered new possibilities related to using computers to simulate human cognition and perception, drawing on cognitive musicology and Artificial Intelligence, areas that were themselves spurred on by new technical developments and by developments in computer program design. The 1990s ushered in revolutionary methods of music analysis, especially those drawing on Artificial Intelligence research. Some of these approaches started to focus on musical sound, rather than scores. They allowed music analysis to focus on how music is actually perceived. In some approaches, the analysis of music and of music cognition merged. This article provides an overview of computer-assisted music analysis of the 1980s and 1990s, as it relates to music cognition. Selected approaches are being discussedMed tem, ko so se pristopi, ki so že bili postali zgodovinsko ključni - računalniško podprti analitični pristopi temelječi na statistiki in informacijski teoriji - razvijali naprej, je vrsta raziskovalnih projektov v 1980ih želela razviti nove metode računalniško podprte analize glasbe. Nekateri projekti so odkrili nove možnosti uporabe računalnika za simuliranje človeške kognicije in percepcije, opirajoč se na kognitivno muzikologijo in umetno inteligenco - področja, ki sta jih odkrivali tehnični napredek in razvoj računalniških programov. V 1990. so se začele pojavljati revolucionarne metode analize glasbe, zlasti tiste, ki temeljijo na raziskavah umetne inteligence. Nekatere teh metod so se osredotočile bolj na zvok kakor na partituro in so prispevale, da se analiza glasbe ukvarja z vprašanji o zaznavanju glasbe. Pri nekaterih pristopih je prišlo do povezave med analizo glasbe in analizo kognicije. Prispevek ponuja prerez računalniško podprte analize glasbe v 1980ih in 1990ih, kot se le-ta navezuje na kognicijo glasbe. Razprava obravnava izbor analitičnih pristopovTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaUniverza v Ljubljani, Filozofska fakulteta