<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-4R26E3M3</identifier><date>2014</date><creator>Koter, Darja</creator><relation>documents/doc/4/URN_NBN_SI_doc-4R26E3M3_001.pdf</relation><relation>documents/doc/4/URN_NBN_SI_doc-4R26E3M3_001.txt</relation><format format_type="issue">2</format><format format_type="volume">50</format><format format_type="type">article</format><format format_type="extent">str. 299-308</format><identifier identifier_type="ISSN">0580-373X</identifier><identifier identifier_type="COBISSID">56519778</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-4R26E3M3</identifier><language>eng</language><publisher>Znanstvena založba Filozofske fakultete</publisher><source>Muzikološki zbornik</source><rights>BY-SA</rights><subject language_type_id="slv">glasbena ikonografija</subject><subject language_type_id="slv">glasbeni instrumenti</subject><subject language_type_id="slv">likovna dediščina</subject><subject language_type_id="slv">simbolika</subject><title>Glasbeni simboli</title><title>Musical symbols</title><title>sožitje verskih in posvetnih tem v likovni dediščini</title><title>the symbiosis of religious and secular themes in art heritage</title></Record>