<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-4ZIVM6X3/a8acb49c-08e2-4ba6-9892-4bcad6dc93b8/PDF"><dcterms:extent>5264 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-4ZIVM6X3/7f51cd4c-3958-4410-9b14-e5cba2aca3dd/TEXT"><dcterms:extent>0 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="1951-2024-2025"><edm:begin xml:lang="en">1951</edm:begin><edm:end xml:lang="en">2024-2025</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:doc-4ZIVM6X3"><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-9MM4U78Z" /><dcterms:issued>1988</dcterms:issued><dc:creator>Zgonik, Nadja</dc:creator><dc:format xml:lang="sl">53-82, slikovna priloga XXIX-XXXVI</dc:format><dc:format xml:lang="sl">letnik:n.v. xxiv</dc:format><dc:identifier>ISSN:0351-224X</dc:identifier><dc:identifier>COBISSID_HOST:128802</dc:identifier><dc:identifier>URN:URN:NBN:SI:doc-4ZIVM6X3</dc:identifier><dc:language>sl</dc:language><dc:publisher xml:lang="sl">Slovensko umetnostnozgodovinsko društvo</dc:publisher><dcterms:isPartOf xml:lang="sl">Zbornik za umetnostno zgodovino (Nova vrsta)</dcterms:isPartOf><dcterms:temporal rdf:resource="1951-2024-2025" /><dc:title xml:lang="sl">Marij Pregelj: slikarstvo skrajnosti|</dc:title><dc:description xml:lang="sl">The paper discusses the complex creative activity of the Slovene painter Marij Pregelj. Pregelj's very autobiographical painting was always a response to the reality which surrounded him and determined his life. His central motif was human figure which changed with time from specific, still recognizable, forms to expressively deformed metaphors of universal human suffering</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:doc-4ZIVM6X3"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:doc-4ZIVM6X3" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:doc-4ZIVM6X3/a8acb49c-08e2-4ba6-9892-4bcad6dc93b8/PDF" /><edm:rights rdf:resource="http://rightsstatements.org/vocab/InC/1.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Slovensko umetnostnozgodovinsko društvo</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:doc-4ZIVM6X3/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:doc-4ZIVM6X3" /></ore:Aggregation></rdf:RDF>