<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-511MT0II</identifier><date>2020</date><creator>Hochradner, Thomas</creator><relation>documents/doc/5/URN_NBN_SI_doc-511MT0II_001.pdf</relation><relation>documents/doc/5/URN_NBN_SI_doc-511MT0II_001.txt</relation><format format_type="issue">2</format><format format_type="volume">56</format><format format_type="type">article</format><format format_type="extent">str. 21-33</format><identifier identifier_type="ISSN">0580-373X</identifier><identifier identifier_type="DOI">10.4312/mz.56.2.21-33</identifier><identifier identifier_type="COBISSID_HOST">44816387</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-511MT0II</identifier><language>eng</language><publisher>Znanstvena založba Filozofske fakultete</publisher><source>Muzikološki zbornik</source><rights>BY-SA</rights><subject language_type_id="eng">case study</subject><subject language_type_id="slv">glasbeno zgodovinopisje</subject><subject language_type_id="eng">music historiography</subject><subject language_type_id="eng">musicology</subject><subject language_type_id="eng">regionality</subject><subject language_type_id="slv">regionalnost</subject><subject language_type_id="slv">Salzburg</subject><subject language_type_id="slv">študija primera</subject><title>Still on the map? Considering regional historiography of music</title></Record>