<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-52UBV6WP</identifier><date>2018</date><creator>Vaupotič, Mojca Polona</creator><relation>documents/doc/5/URN_NBN_SI_doc-52UBV6WP_001.pdf</relation><relation>documents/doc/5/URN_NBN_SI_doc-52UBV6WP_001.txt</relation><format format_type="volume">47</format><format format_type="issue">5/6</format><format format_type="type">article</format><format format_type="extent">str. 113-124</format><identifier identifier_type="ISSN">1318-1238</identifier><identifier identifier_type="COBISSID">34774019</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-52UBV6WP</identifier><language>slv</language><publisher>Društvo SKAM</publisher><source>Tretji dan (Ljubljana)</source><rights>InC</rights><subject language_type_id="slv">19./20.st.</subject><subject language_type_id="slv">Gaudí, Antoni</subject><subject language_type_id="slv">katalonski arhitekti</subject><subject language_type_id="slv">modernizem</subject><subject language_type_id="slv">Sagrada Familia (cerkev)</subject><subject language_type_id="slv">umetnostna zgodovina</subject><title>Iz katalonskega modernizma se je rodilo nekaj zmagoslavno sakralnega</title></Record>