<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-6256C3MD</identifier><date>2022</date><creator>Avorgbedor, Daniel Kodzo</creator><relation>documents/doc/6/URN_NBN_SI_doc-6256C3MD_001.pdf</relation><relation>documents/doc/6/URN_NBN_SI_doc-6256C3MD_001.txt</relation><format format_type="issue">1</format><format format_type="volume">58</format><format format_type="type">article</format><format format_type="extent">str. 7-41</format><identifier identifier_type="ISSN">0580-373X</identifier><identifier identifier_type="DOI">10.4312/mz.58.1.7-41</identifier><identifier identifier_type="COBISSID">181644803</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-6256C3MD</identifier><language>eng</language><publisher>Založba Univerze v Ljubljani</publisher><source>Muzikološki zbornik</source><rights>BY-SA</rights><subject language_type_id="slv">ceremonije</subject><subject language_type_id="slv">glasba</subject><subject language_type_id="slv">kraljevske slovesnosti</subject><subject language_type_id="slv">ljudstvo Ewe</subject><subject language_type_id="slv">multisenzoričnost</subject><subject language_type_id="slv">obredi</subject><subject language_type_id="slv">sakralno-sekularni kontinuum</subject><subject language_type_id="slv">tradicija</subject><subject language_type_id="slv">zvočna afektivnost</subject><title>Ruptures, junctures, and difference</title><title>the role of music and ritual performance in framing "tradition" in contemporary royal ceremonies, Ghana</title></Record>