<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-64YSMS3R</identifier><date>2016</date><creator>Krečič, Jela</creator><relation>documents/doc/6/URN_NBN_SI_doc-64YSMS3R_001.pdf</relation><relation>documents/doc/6/URN_NBN_SI_doc-64YSMS3R_001.txt</relation><format format_type="issue">4</format><format format_type="volume">53</format><format format_type="type">article</format><format format_type="extent">str. 859-874, 1021</format><identifier identifier_type="ISSN">0040-3598</identifier><identifier identifier_type="COBISSID">34218589</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-64YSMS3R</identifier><language>eng</language><publisher>Visoka šola za politične vede</publisher><source>Teorija in praksa</source><rights>InC</rights><subject language_type_id="eng">Film genres</subject><subject language_type_id="eng">Film themes and motives</subject><subject language_type_id="slv">Filmske zvrsti</subject><subject language_type_id="slv">filmski junaki</subject><subject language_type_id="slv">Filmski motivi</subject><subject language_type_id="slv">Sociologija filma</subject><subject language_type_id="eng">Sociology of film</subject><title>Superheroes</title><title>the making and unmaking of a genre in a stupid culture</title></Record>