<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-6JXDFWNK</identifier><date>2020</date><creator>Oliveri, Dario</creator><relation>documents/doc/6/URN_NBN_SI_doc-6JXDFWNK_001.pdf</relation><relation>documents/doc/6/URN_NBN_SI_doc-6JXDFWNK_001.txt</relation><format format_type="volume">16</format><format format_type="issue">2</format><format format_type="type">article</format><format format_type="extent">str. 29-52</format><identifier identifier_type="ISSN">1854-3405</identifier><identifier identifier_type="COBISSID_HOST">25240579</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-6JXDFWNK</identifier><language>ita</language><publisher>Muzikološki inštitut ZRC SAZU</publisher><source>De musica disserenda</source><rights>BY-NC-ND</rights><subject language_type_id="slv">Bach, Johann Sebastian</subject><subject language_type_id="slv">bazilika sv. Marka</subject><subject language_type_id="slv">Benetke (Italija)</subject><subject language_type_id="eng">choral variations</subject><subject language_type_id="slv">koralne variacije</subject><subject language_type_id="eng">St Mark's basilica</subject><subject language_type_id="slv">Stravinski, Igor</subject><subject language_type_id="eng">Venice (Italy)</subject><title>Le Choral-Variationen Bach-Stravinsky per la basilica di San Marco</title><title>simbologia e quadrato magico</title></Record>