<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-70N57C9L</identifier><date>2005</date><creator>Korsyn, Kevin Ernest</creator><relation>documents/znanstveni_clanki/muzikoloski_zbornik/html/urn_nbn_si_doc-70n57c9l.html</relation><relation>documents/znanstveni_clanki/muzikoloski_zbornik/pdf/urn_nbn_si_doc-70n57c9l.pdf</relation><relation>documents/znanstveni_clanki/muzikoloski_zbornik/txt/urn_nbn_si_doc-70n57c9l.txt</relation><format format_type="issue">2</format><format format_type="volume">41</format><format format_type="main">6 strani</format><format format_type="type">article</format><format format_type="extent">str. 147-152</format><identifier identifier_type="ISSN">0580-373X</identifier><identifier identifier_type="COBISSID">239448832</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-70N57C9L</identifier><language>eng</language><publisher>Filozofska fakulteta, Oddelek za muzikologijo</publisher><source>Muzikološki zbornik</source><rights>BY-SA</rights><subject language_type_id="slv">dekonstrukcija</subject><subject language_type_id="slv">glasba</subject><subject language_type_id="slv">glasbena teorija</subject><subject language_type_id="eng">music</subject><subject language_type_id="slv">muzikologija</subject><title>Music, deconstruction, amnesia: notes on the musicological reception of deconstruction</title></Record>