886 KB44 KB199420252015Meke, Katraletnik:25številka:4str. 823-834ISSN:1408-5348COBISSID:59450978URN:URN:NBN:SI:doc-7PBMOO1QslSocietá storica del LitoraleZgodovinsko društvo za južno PrimorskoAnnales. Series historia et sociologia19.st.19th cent.20.st.20th cent.art marketbeneško slikarstvocollectingcollection salesGlava filozofa s turbanomGutmannsthal-Benvenuti, Ludvik, 1810-1890Head of a Turbaned PhilosopherMarija z otrokom in liščkomNovi dvor by RadečeNovi dvor pri Radečahprodaja zbirkSettecentoThe Madonna and Child with a GoldfinchTiepolo, Giambattista, 1696-1770Tiepolo, Giandomenico, 1727-1804Tiepolo, Lorenzo, 1736-1776umetnostni trgVenetian paintingzbiranjeSliki iz kroga Giandomenica in Lorenza Tiepola iz nekdanje zbirke Ludvika viteza Gutmannsthala-Benvenutija|The article presents the fate of two tiepolesco paintings once in the collection of Ludvik knight Gutmannsthal- Benvenuti in Novi dvor by Radeče. The latter represents one of the many cases of mass noble inventory sales taking place in the first half of the 20th century. The formation of the collection was probably most intense in the time of the acquisition of the Novi dvor by Radeče (1860) for its interior equipment with purchases in Italy, Germany etc. After Ludvik's death in 1890 the collection was inherited by his wife Marija and after her death only a year later the owner became their son Nikolaj knight Gutmannsthal-Benvenuti. In 1926 he started to sell the estate Novi dvor with its inventory due to his move to Rome to assume the office of the chamberlain of Pope Pius XI. Otherwise, France Stele was trying to keep the collection in the broader Yugoslavian area, but there was no interest on behalf of cultural institutions, mostly due to financial difficulties. Consequently, an export permission for 95 paintings was issued. Stele carefully documented the collection with photographs and written documentation, which facilitates the identification and allows us to trace works appearing in the art market or becoming part of other gallery collections. The data mentioned above made it possible, with the help of the internet, to identify both paintings and to reveal their fateLo scopo dell'articolo e esporre la collezione del cavaliere Ludvik Gutmannsthal-Benvenuti, che era paragonabile per dimensioni e qualita alla collezione piu nota di Edvard e Karl Strahl, e far luce sulle circostanze della sua vendita e sul destino delle singole opere. Sulla base delle misurazioni e della documentazione scritta e fotografica di France Stele e stato possibile collegare due dipinti attribuiti alla cerchia di Giandomenico e Lorenzo Tiepolo che comparivano sul mercato dell'arte con provenienza sconosciuta, con la collezione che adornava una volta il maniero Novi dvor a RadečeNamen članka je izpostaviti zbirko Ludvika viteza Gutmannsthala-Benvenutija, ki se je po svoji velikosti in kvaliteti lahko kosala z javnosti nekoliko bolj poznano zbirko Edvarda in Karla Strahla, ter nekoliko osvetliti okoliščine njene prodaje in nadaljnjo usodo posameznih del. Na podlagi ujemanja mer in fotografske ter pisne dokumentacije Franceta Steleta je bilo mogoče z zbirko, ki je nekoč krasila prostore dvorca Novi dvor pri Radečah, povezati sliki, pripisani krogu Giandomenica in Lorenza Tiepola, ki sta se na umetnostnem trgu dalj časa pojavljali brez znane provenienceTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaZgodovinsko društvo za južno Primorsko