<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-8ZRN0GHH</identifier><date>2021-2022</date><creator>Quinzi, Alessandro</creator><relation>documents/doc/8/URN_NBN_SI_doc-8ZRN0GHH_001.pdf</relation><relation>documents/doc/8/URN_NBN_SI_doc-8ZRN0GHH_001.txt</relation><format format_type="issue">57/58</format><format format_type="type">article</format><format format_type="extent">str. 169-178, 415</format><identifier identifier_type="ISSN">0351-224X</identifier><identifier identifier_type="COBISSID">210468867</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-8ZRN0GHH</identifier><language>ita</language><publisher publisher_location="Ljubljana">Slovensko umetnostnozgodovinsko društvo</publisher><source>Zbornik za umetnostno zgodovino (Nova vrsta)</source><rights>InC</rights><subject language_type_id="slv">Cerkve</subject><subject language_type_id="slv">cerkveno slikarstvo</subject><subject language_type_id="slv">Correggio, Antonio Allegri</subject><subject language_type_id="slv">Italijanski slikarji</subject><subject language_type_id="slv">Parma</subject><subject language_type_id="slv">Renesančno slikarstvo</subject><subject language_type_id="slv">Renesansa</subject><title>Correggio, Schongauer e i dipinti per la cappella Del Bono</title></Record>