<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-9WNERF51</identifier><date>2014</date><creator>Grabnar, Klemen</creator><relation>documents/doc/9/URN_NBN_SI_doc-9WNERF51_001.pdf</relation><relation>documents/doc/9/URN_NBN_SI_doc-9WNERF51_001.txt</relation><format format_type="issue">2</format><format format_type="volume">50</format><format format_type="type">article</format><format format_type="extent">str. 181-198</format><identifier identifier_type="ISSN">0580-373X</identifier><identifier identifier_type="COBISSID">56522082</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-9WNERF51</identifier><language>slv</language><publisher>Znanstvena založba Filozofske fakultete</publisher><source>Muzikološki zbornik</source><rights>BY-SA</rights><subject language_type_id="slv">16.st.</subject><subject language_type_id="slv">glasba</subject><subject language_type_id="slv">madrigali</subject><subject language_type_id="eng">music</subject><subject language_type_id="slv">parodične maše</subject><title>Odnos med posvetnim in sakralnim v drugi polovici 16. stoletja na primeru maš Nasce la pena mia Bartolomea Spontoneja in Costanza Antegnatija</title><title>Secular and sacred in the second half of the sixteenth century</title><title>the case of masses Nasce la pena mia of Bartolomeo Spontone and Costanzo Antegnati</title></Record>