929 KB32 KB196520252014Grabnar, Klemenštevilka:2letnik:50str. 181-198ISSN:0580-373XCOBISSID:56522082URN:URN:NBN:SI:doc-9WNERF51slZnanstvena založba Filozofske fakulteteMuzikološki zbornik16.st.glasbamadrigalimusicparodične mašeOdnos med posvetnim in sakralnim v drugi polovici 16. stoletja na primeru maš Nasce la pena mia Bartolomea Spontoneja in Costanza Antegnatija| Secular and sacred in the second half of the sixteenth century| the case of masses Nasce la pena mia of Bartolomeo Spontone and Costanzo Antegnati|Parody masses based on secular compositions are intriguing due to their employment of profane music in strictly liturgical music, which has inspired research in traversing boundaries between sacred and profane. As can be seen from the case of two masses, one by Bartolomeo Spontone and the other by Costanzo Antegnati, based on the madrigal Nasce la pena mia by Alessandro Striggio, secular music in the sixteenth century seems to be transformed in a way to elevate it, turning the attention of the listener toward GodParodične maše, osnovane na posvetnih skladbah, so za raziskave prehajanja med sakralnim in posvetnim zlasti zanimive zaradi uporabe profane glasbe v liturgični glasbi. Kot je mogoče razbrati na primeru maš Bartolomea Spontoneja in Costanza Antegnatija, osnovanih na madrigalu Nasce la pena mia Alessandra Striggia, je posvetna glasba v 16. stoletju na ta način predrugačena in povzdignjena, poslušalčeva zavest pa je pri tem preusmerjena k BožjemuTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaUniverza v Ljubljani, Filozofska fakulteta