<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-ABPLIPND</identifier><date>2021</date><creator>Loo Fung Chiat</creator><creator>Loo Fung Ying</creator><creator>Wang, Xiaohang</creator><creator>Xue, Ke</creator><relation>documents/doc/A/URN_NBN_SI_doc-ABPLIPND_001.pdf</relation><relation>documents/doc/A/URN_NBN_SI_doc-ABPLIPND_001.txt</relation><format format_type="issue">1</format><format format_type="volume">57</format><format format_type="type">article</format><format format_type="extent">str. 149-175</format><identifier identifier_type="ISSN">0580-373X</identifier><identifier identifier_type="DOI">10.4312/mz.57.1.149-175</identifier><identifier identifier_type="COBISSID">150173699</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-ABPLIPND</identifier><language>eng</language><publisher publisher_location="Ljubljana">Založba Univerze v Ljubljani</publisher><source>Muzikološki zbornik</source><rights>BY-SA</rights><subject language_type_id="slv">glasba</subject><subject language_type_id="slv">Kitajska</subject><subject language_type_id="slv">komunizem</subject><subject language_type_id="slv">kulturna revolucija</subject><subject language_type_id="slv">solistična klavirska dela</subject><subject language_type_id="slv">Zhao Hiaosheng</subject><title>Cultural revolution and political ambivalence in Zhao Xiaosheng’s two ballades for piano solo</title></Record>