366 KB40 KB195520252022Toporišič, Tomažštevilka:3letnik:67str. 123-135ISSN:0021-6933DOI:10.4312/ODDB5948COBISSID_HOST:123702787URN:URN:NBN:SI:doc-ANARSYDKslSlavistično društvo SlovenijeJezik in slovstvodramatis personaedramske osebefemale protagonistfeminist studiesfeministične študijegender politicspolitika spolarepresija feminilnostirepression of feminityženska protagonistkaDramske protagonistke in politika spola na odrih sveta|In our examination of the selected plays and tragedy, we have focused primarily on gender politics, and more specifically on the phenomenon of female protagonists on the world stage, which is the title of this year’s essay as a part of high-school exit exam in Slovene as the mother tongue. The theme was explored through a comparative analysis of four classics of drama and theatre from antiquity to the second half of the 20th century, focusing on a selection of themes that are still of concern today: the po-sition of women and gender equality in contemporary societies. The women dramatized in the selected plays are representatives of groups that, according to Julia Kristeva’s interpretation, are marginalised in the patriarchal symbolic order and are subjected to various forms of repression of femininity. The determination of biological sex in these plays repeatedly turns out to be socially constructed, as it is based on social norms and regulations. It is the violation of these rules that gives rise to the dramatur-gical strategies and gender politics of the plays from antiquity to the present dayV obravnavi maturitetnih dram in tragedije smo se osredotočili predvsem na politiko spolov, točneje fenomen ženskih junakinj na odru sveta, ki je tokrat naslov tematskega sklopa za maturo. Tematiko smo razprli skozi primerjalno analizo štirih klasik dramatike in gledališča od antike do druge polovice 20. stoletja s poudarkom na izbrani in še danes vznemirljivi problematiki položaja ženske in enakosti spolov v sodobnih družbah. Ženske, ki jih dramatizirajo izbrane drame, so predstavnice skupin, ki so v patriarhalnem simbolnem redu po interpretaciji Julije Kristeve marginalizirane in so izpostavljene različnim oblikam represije feminilnosti. Prav spol se skozi drame, ki smo jih raziskali, pokaže šele kot dejanje. Določenost biološkega spola se v teh igrah vedno znova izkaže kot družbeno konstruirana, saj temelji na družbenih normah in predpisih. Prav kršitve teh predpisov pa so tiste, ki sprožajo dramatur-ške zaplete dramatike, povezane s politiko spola, od antike do danesTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaSlavistično društvo Slovenije