<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-BNUS46JM</identifier><date>2014</date><creator>Petrov, Ana</creator><relation>documents/doc/B/URN_NBN_SI_doc-BNUS46JM_001.pdf</relation><relation>documents/doc/B/URN_NBN_SI_doc-BNUS46JM_001.txt</relation><format format_type="issue">2</format><format format_type="volume">50</format><format format_type="type">article</format><format format_type="extent">str. 223-230</format><identifier identifier_type="ISSN">0580-373X</identifier><identifier identifier_type="COBISSID">56533602</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-BNUS46JM</identifier><language>eng</language><publisher>Znanstvena založba Filozofske fakultete</publisher><source>Muzikološki zbornik</source><rights>BY-SA</rights><subject language_type_id="slv">19.st.</subject><subject language_type_id="slv">estetika glasbe</subject><subject language_type_id="slv">koncerti</subject><subject language_type_id="slv">koncertne dvorane</subject><subject language_type_id="slv">kontemplativno poslušanje</subject><title>Listening to music in "holy" space</title><title>Poslušanje glasbe v "posvečenem" prostoru</title><title>the role of 19th-century public concert in the construction of Kunstreligion</title><title>vloga javnega koncerta pri ustvarjanju Kunstreligion v 19. stoletju</title></Record>