30 KB118 KB27 KB199420252008Murano, TarikPacenti, Marinaštevilka:1letnik:18str. 179-184ISSN:1408-5348COBISSID:1481171URN:URN:NBN:SI:doc-CDCLMORDhrUniverza na Primorskem, Znanstvenoraziskovalno središčeZgodovinsko društvo za južno PrimorskoAnnales. Series historia et sociologiadružbene eliteIstraIstriaMiddle Agesromanska umetnostSlovenian Istriaslovenska Istrasrednji vekRomanička umjetnost ranog srednjeg vijeka i društvene elite u Istri (Slovenija) - fenomenološki pristup|Community of Romanic Art of Early Middle Ages and social elites in Istria (Slovenia) manifests in two different levels or two methodological approaches, which historically appear against each other; like two centres, like two axis, around which is this research is based on. From one side it is the opinion of medieval elites about Romanic Art in Istria, that approaches art by accepting "elitist idea", that can with its "elitism" think through art, subordinating it to the "elitist principle" on which it is based. From the other side, there is an opinion of medieval elites from Romanic artistic reality, arising from Romanic experience, from the "world of Romanic art", based on coexistence with Romanic art work, with its reality, its achievements, as well as its place and purpose in the life of social elites of Istria. This opinion questions the principle of Romanic art, starting from medieval social elites, questions the stand ground of Romanic art from which is possible to develop the "elitist view" on the "world of Romanic art" of early Middle Ages in Istria, by self/revealing that "world". This is why we (from the beginning) have followed both aspects of research. The first one, which holds on to ideas of presence of medieval time social elites in the Romanic art of Istria, about the world and individual person in Romanic reality of Istria, that derives the principle of Romanic art subordinated to that idea. The other one, based on pure "elitist experience", to ascertain the structure, form and way(s) of co/existence of Romanic art work, as well as way(s) of its influence on medieval social elites, to reach in that manner the principle of Romanic art of early medieval time and social elites in Istria(Slovenia). This means that Romanic artist participate in the life of the social elites. Their work is acknowledged as "spiritual work" (cosa mentale) because it is not only dealing with translating into visible realisation of Romanic art achievements of early medieval time in Istria, but dealing with its (specific) way to explore those ideasTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaZgodovinsko društvo za južno Primorsko