<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-CIYZFZ4Z</identifier><date>2014</date><creator>Trdan, Primož</creator><relation>documents/doc/C/URN_NBN_SI_doc-CIYZFZ4Z_001.pdf</relation><relation>documents/doc/C/URN_NBN_SI_doc-CIYZFZ4Z_001.txt</relation><format format_type="issue">2</format><format format_type="volume">50</format><format format_type="type">article</format><format format_type="extent">str. 273-278</format><identifier identifier_type="ISSN">0580-373X</identifier><identifier identifier_type="COBISSID">56518498</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-CIYZFZ4Z</identifier><language>eng</language><publisher>Znanstvena založba Filozofske fakultete</publisher><source>Muzikološki zbornik</source><rights>BY-SA</rights><subject language_type_id="slv">20.st.</subject><subject language_type_id="slv">glasbene zvrsti</subject><subject language_type_id="slv">individualizacija umetniškega dela</subject><subject language_type_id="slv">Ligeti, György, 1923-2006</subject><subject language_type_id="slv">Lux aeterna</subject><subject language_type_id="slv">sakralna besedila</subject><subject language_type_id="slv">Vulc, Tadeja, 1978-</subject><title>Lux aeterna dveh skladateljev</title><title>Lux aeternas by two composers</title><title>sacred and profane in the context of genre individualisation</title><title>sakralno in profano v luči zvrstne individualizacije</title></Record>