{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-CPF3PBRO/fdffd98d-1a50-4431-afca-14b333a14a78/HTML","dcterms:extent":"37 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-CPF3PBRO/ab683629-5ecc-4bd9-a02a-ff6e3c22e55c/PDF","dcterms:extent":"238 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-CPF3PBRO/8ea6c566-f9fd-47d3-83a3-25bddd6db0ad/TEXT","dcterms:extent":"33 KB"}],"edm:TimeSpan":{"@rdf:about":"1965-2025","edm:begin":{"@xml:lang":"en","#text":"1965"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-CPF3PBRO","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-TGP90WRZ"},{"@xml:lang":"sl","#text":"Muzikološki zbornik"}],"dcterms:issued":"2007","dc:creator":"Jauk, Werner","dc:format":[{"@xml:lang":"sl","#text":"številka:2"},{"@xml:lang":"sl","#text":"letnik:43"},{"@xml:lang":"sl","#text":"str. 361-370"}],"dc:identifier":["ISSN:0580-373X","COBISSID:36328034","URN:URN:NBN:SI:doc-CPF3PBRO"],"dc:language":"en","dc:publisher":{"@xml:lang":"sl","#text":"Filozofska fakulteta, Oddelek za muzikologijo"},"dc:subject":[{"@xml:lang":"sl","#text":"glasba"},{"@xml:lang":"sl","#text":"glasbeni prostor"},{"@xml:lang":"sl","#text":"kognitivni prikaz (avditivnega) prostora"},{"@xml:lang":"sl","#text":"mrežni prostor"},{"@xml:lang":"en","#text":"music"},{"@xml:lang":"sl","#text":"prostorsko zaznavanje"}],"dcterms:temporal":{"@rdf:resource":"1965-2025"},"dc:title":{"@xml:lang":"sl","#text":"Vizualne in avditivne reprezentacije prostora in mrežnega prostora| The visual and auditory representation of space and the net-space|"},"dc:description":[{"@xml:lang":"sl","#text":"The use of the term space in net-space is based on a mechanistic point of view, an imagery of visual space out of bodily experience of the world. By technical turns the active interaction to explore space more and more becomes a passive one. This is where the auditory space comes in and serves as an imagery for net-space. An experiment proved an auditory imagery just evoked by different sharpness/pitch. Subjects were instructed to show the point in space where they imagined a sound with a specific timbre is located. The results show two groups of subjects: a visual type that imagines space by his own movement and an exploring auditory type which imagines space according to the internalized knowledge of the behavior of sound: dull sounds are far away,sharp sounds are near. Pitch revealed a significant effect on the synesthetic imagination on the Y-axis. The secondary interpretation of sound as space-localization indicates auditory-space to be a space of occurrences and supports McLuhans assumption of an analogy of \"ear and electricity\", of auditory space and electric space, nowadays net-space. Despite the metaphoric use of space artistic experiments initiate auditory-space-imagery to use it as a psychological interface to the net-space, another space of occurrences defined by communication processes"},{"@xml:lang":"sl","#text":"Raba pojma prostor v zvezi mrežni-prostor temelji na mehanskem gledišču, gre za prispodobo vidnega prostora, ki je izpeljan iz telesnega izkustva sveta. S tehničnimi obrati se aktivna interakcija raziskovanja prostora vedno bolj pogreza v pasivnost. Na tej točki nastopi slišni prostor in postane prispodoba mrežnega prostora. Eksperiment je dokazal, da avditivne prispodobe vzbudijo že različne ostrine/tonske višine. Udeleženci eksperimenta so dobili navodilo, naj pokažejo točko v prostoru, kamor so v mislih postavili določeno zvočno barvo. Rezultati delijo udeležence na dve skupini: vizualni tip, ki si umišlja prostor po lastnem gibanju, in raziskujoči avditivni tip, ki si umišlja prostor v skladu s ponotranjenim znanjem o obnašanju zvoka: medli zvoki so daleč stran, ostri zvoki so blizu. Tonska višina je razkrila pomemben učinek v sinestetični domišljiji na osi Y. Sekundarna interpretacija zvoka kot prostorske lokalizacije nakazuje, da je avditivni prostor pojavljanj in pritrjuje McLuhanovi domnevani analogiji med ušesom in elektriko, med avditivnim prostorom in prostorom elektrike, dandanes mrežnim prostorom. Metaforični rabi prostora navkljub umetnostni eksperimenti uvajajo avditivno- prostorski imaginarij kot psihološki vmesnik do mrežnega prostora - še enega prostora pojavljanj, ki jih določa komunikacijski proces"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-CPF3PBRO","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-CPF3PBRO"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-CPF3PBRO/ab683629-5ecc-4bd9-a02a-ff6e3c22e55c/PDF"},"edm:rights":{"@rdf:resource":"http://creativecommons.org/licenses/by-sa/4.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Univerza v Ljubljani, Filozofska fakulteta"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-CPF3PBRO/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-CPF3PBRO"}}}}