<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-CPR2LEB0</identifier><date>2023</date><creator>Fedoszov, Júlia</creator><relation>documents/doc/C/URN_NBN_SI_doc-CPR2LEB0_001.pdf</relation><relation>documents/doc/C/URN_NBN_SI_doc-CPR2LEB0_001.txt</relation><format format_type="volume">19</format><format format_type="issue">2</format><format format_type="type">article</format><format format_type="extent">str. 173-192</format><identifier identifier_type="DOI">10.3986/dmd19.2.09</identifier><identifier identifier_type="ISSN">1854-3405</identifier><identifier identifier_type="COBISSID">186364419</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-CPR2LEB0</identifier><language>eng</language><coverage coverage_type="temporal">1994</coverage><publisher>Muzikološki inštitut ZRC SAZU</publisher><source>De musica disserenda</source><rights>BY-NC-ND</rights><subject language_type_id="slv">avtentičnost</subject><subject language_type_id="slv">balet</subject><subject language_type_id="slv">glasba</subject><subject language_type_id="slv">Goldmark, Carl</subject><subject language_type_id="slv">koreografija</subject><subject language_type_id="slv">ples</subject><subject language_type_id="slv">priredbe</subject><title>Programmatic pieces turned into a ballet score</title><title>the music for the ballet The Taming of the Shrew choreographed by László Seregi</title></Record>