<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-D7FX3C2F</identifier><date>2020</date><creator>Cossettini, Luca</creator><creator>Olto, Alessandro</creator><relation>documents/doc/D/URN_NBN_SI_doc-D7FX3C2F_001.pdf</relation><relation>documents/doc/D/URN_NBN_SI_doc-D7FX3C2F_001.txt</relation><format format_type="volume">16</format><format format_type="issue">2</format><format format_type="type">article</format><format format_type="extent">str. 7-28</format><identifier identifier_type="ISSN">1854-3405</identifier><identifier identifier_type="COBISSID_HOST">25240067</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-D7FX3C2F</identifier><language>ita</language><publisher>Muzikološki inštitut ZRC SAZU</publisher><source>De musica disserenda</source><rights>BY-NC-ND</rights><subject language_type_id="eng">electroacoustic music</subject><subject language_type_id="slv">elektroakustična glasba</subject><subject language_type_id="slv">glasbena analiza</subject><subject language_type_id="slv">glasbena estetika</subject><subject language_type_id="slv">Krenek, Ernest</subject><subject language_type_id="eng">musical aesthetics</subject><subject language_type_id="eng">musical analysis</subject><title>"Not ... a program, but an afterthought"</title><title>sul ritrovamento dell'opera elettronica San Fernando sequence di Ernst Krenek</title></Record>