<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-DBCMYFX0/0b430bc3-68ba-4dd9-a7d1-79826c711c46/HTML"><dcterms:extent>38 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-DBCMYFX0/3d33c002-8b91-4d14-9a07-971140cfa06b/PDF"><dcterms:extent>86 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-DBCMYFX0/4026fa21-4f65-4aa9-addb-ff58a35dee10/TEXT"><dcterms:extent>25 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="2001-2025"><edm:begin xml:lang="en">2001</edm:begin><edm:end xml:lang="en">2025</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:doc-DBCMYFX0"><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:SPR-NX1KA8SL" /><dcterms:issued>2004</dcterms:issued><dc:creator>Marolt, Peter</dc:creator><dc:format xml:lang="sl">številka:1</dc:format><dc:format xml:lang="sl">letnik:4</dc:format><dc:format xml:lang="sl">str. 36-39</dc:format><dc:identifier>ISSN:1580-5573</dc:identifier><dc:identifier>ISSN:1581-6974</dc:identifier><dc:identifier>COBISSID:1608836</dc:identifier><dc:identifier>URN:URN:NBN:SI:doc-DBCMYFX0</dc:identifier><dc:language>en</dc:language><dc:language>sl</dc:language><dc:publisher xml:lang="sl">Fakulteta za arhitekturo</dc:publisher><dcterms:isPartOf xml:lang="sl">AR. Arhitektura, raziskave</dcterms:isPartOf><dc:subject xml:lang="en">architecture</dc:subject><dc:subject xml:lang="sl">arhitektura</dc:subject><dc:subject xml:lang="sl">kozmos</dc:subject><dc:subject xml:lang="sl">oblikovanje prostora</dc:subject><dc:subject xml:lang="sl">teorija</dc:subject><dc:subject xml:lang="en">theory</dc:subject><dc:subject rdf:resource="http://www.wikidata.org/entity/Q17737" /><dcterms:temporal rdf:resource="2001-2025" /><dc:title xml:lang="sl">Arhitektura v ravnovesju| Architecture in balance|</dc:title><dc:description xml:lang="sl">Based on the hypothesis that universal order exists in world order, the article attempts to establish ties between cosmic order and architecture as a "cosmic art". It points out the system of the art of spatial design, which copies the arch-pattern (logic) of cosmic order. Logical spatial order represents the arch-pattern and model for operation of all entities that create it. From facts about ways, in which to order the world, we can deduce the thesis that interdependent, polarised elements of (complex) pairs, also apply to architecture. By concluding from general to particular and particular to general, mainly by analogy, the basic premise that architecture is art, science and philosophy can help in equating a system of pairs and simultaneously prove that good architecture relies on a sum of (inter)dependent balanced pairs, which creatively support each other. Thus we indirectly prove that art and artistic-spatial composition are those elements ,without which there is no art of spatial design - architecture</dc:description><dc:description xml:lang="sl">Članek poizkuša najti povezavo med urejenostjo kozmosa in arhitekturo kot "kozmično umetnostjo" in sloni na predpostavki, da obstaja univerzalni red v urejenosti sveta. Nakazuje ustroj umetnosti oblikovanja prostora, ki posnema pravzorec (logične) urejenosti Kozmosa. Logična ureditev kozmosa predstavlja pravzorec in model za delovanje vseh entitet, ki ga soustvarjajo. Iz dejstev kako naj bi bil svet urejen, tudi izpeljemo tezo, da soodvisni, polarizirani elementi (kompleksnih) dvojic veljajo tudi za arhitekturo. S pomočjo sklepanja od splošnega k posameznemu in od posameznega na splošno, predvsem pa s pomočjo analogije, je mogoče iz osnovne premise, da je arhitektura umetnost, znanost in filozofija, izpeljati sistem diad in hkrati dokazati, da dobra arhitektura sloni na zbiru (so)odvisnih uravnoteženih dvojic, ki tvorno podpirajo ena drugo. S tem tudi posredno dokažemo, da so tudi likovnost, likovno - prostorska kompozicija tisti elementi, brez katerih ni umetnosti oblikovanja prostora - arhitekture</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:doc-DBCMYFX0"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:doc-DBCMYFX0" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:doc-DBCMYFX0/3d33c002-8b91-4d14-9a07-971140cfa06b/PDF" /><edm:rights rdf:resource="http://rightsstatements.org/vocab/InC/1.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Univerza v Ljubljani, Fakulteta za arhitekturo</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:doc-DBCMYFX0/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:doc-DBCMYFX0" /></ore:Aggregation></rdf:RDF>