<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-DBKAM39U/d78b7f6d-3309-4036-9b14-7786e69048bd/HTML"><dcterms:extent>148 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-DBKAM39U/5b49647c-60d7-43bb-aa88-dad50938708a/PDF"><dcterms:extent>578 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-DBKAM39U/72c4143e-76fc-40cc-baa5-a50165fdb138/TEXT"><dcterms:extent>138 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="1965-2025"><edm:begin xml:lang="en">1965</edm:begin><edm:end xml:lang="en">2025</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:doc-DBKAM39U"><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-TGP90WRZ" /><dcterms:issued>2007</dcterms:issued><dc:creator>Stefanija, Leon</dc:creator><dc:format xml:lang="sl">številka:2</dc:format><dc:format xml:lang="sl">letnik:43</dc:format><dc:format xml:lang="sl">str. 179-215</dc:format><dc:identifier>ISSN:0580-373X</dc:identifier><dc:identifier>COBISSID:36260962</dc:identifier><dc:identifier>URN:URN:NBN:SI:doc-DBKAM39U</dc:identifier><dc:language>sl</dc:language><dc:publisher xml:lang="sl">Filozofska fakulteta, Oddelek za muzikologijo</dc:publisher><dcterms:isPartOf xml:lang="sl">Muzikološki zbornik</dcterms:isPartOf><dc:subject xml:lang="en">anthropology</dc:subject><dc:subject xml:lang="sl">antropologija</dc:subject><dc:subject xml:lang="sl">Bemetzrieder, Antoine, 1739-1808</dc:subject><dc:subject xml:lang="sl">glasba</dc:subject><dc:subject xml:lang="en">music</dc:subject><dc:subject xml:lang="sl">sociologija</dc:subject><dc:subject xml:lang="en">sociology</dc:subject><dc:subject xml:lang="sl">spoznavoslovje</dc:subject><dcterms:temporal rdf:resource="1965-2025" /><dc:title xml:lang="sl">Le tolérantisme musical| comments on Antoine Bemetzrieder's essay on national musical cultures in the 18th century| komentarji k študiji Antoinea Bemetzriederja o nacionalnih glasbenih kulturah v 18. stoletju| Le tolérantisme musical - comments on Antoine Bemetzrieder's essay on national musical cultures in the 18th century| notes on the epistemology of music| pripombe k spoznavoslovju glasbe|</dc:title><dc:description xml:lang="sl">The essay is conceived of as a set of comments on Le tolérantisme musical by Antoine Bemetzrieder. His text, published in 1779, discusses the three main European musical cultures and the hierarchy among them (Italian hegemony over German and French music). While reflecting on the reasons for this, Bemetzrieder reveals the sociological coordinates of identifying the national imprint in the music of the 18th century (offering a pragmatic solution to the "right solution" regarding Italian hegemony: the establishment the French National Opera House) while at the same time offering epistemological premisesthat deserve contemporary musicological attention. The comments added to the translation of Bemetzrieder's text relate to epistemological issues contained within it, leaving aside the historically important content so crucial for the text</dc:description><dc:description xml:lang="sl">Prispevek prinaša komentirani prevod publikacije Antoinea Bemetzriederja Le tolérantisme musical (1779). Njegov spis skozi diskusijo o treh glavnih glasbenih kulturah Evrope in prevladi ene (italijanske nad nemško in francosko) v enaki meri razkriva sociološke koordinate nacionalne identitete glasbe v 18. stoletju (in ponuja pragmatično pravo rešitev vprašanja nacionalne glasbe: postavitev nacionalne francoske opere) kakor tudi ponuja pomembne spoznavoslovne iztočnice raziskovanja glasbe, ki so tudi danes vredne upoštevanja. Komentarji k prevodu se nanašajo na spoznavoslovne iztočnice, puščajoč ob strani za ta spis sicer zgodovinsko pomembne vsebine</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:doc-DBKAM39U"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:doc-DBKAM39U" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:doc-DBKAM39U/5b49647c-60d7-43bb-aa88-dad50938708a/PDF" /><edm:rights rdf:resource="http://creativecommons.org/licenses/by-sa/4.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Univerza v Ljubljani, Filozofska fakulteta</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:doc-DBKAM39U/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:doc-DBKAM39U" /></ore:Aggregation></rdf:RDF>