<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-DI6APWNW</identifier><date>2009</date><creator>Katalinić, Vjera</creator><relation>documents/doc/D/URN_NBN_SI_doc-DI6APWNW_001.pdf</relation><relation>documents/doc/D/URN_NBN_SI_doc-DI6APWNW_001.txt</relation><format format_type="issue">2</format><format format_type="volume">5</format><format format_type="type">article</format><format format_type="extent">str. 45-54</format><identifier identifier_type="ISSN">1854-3405</identifier><identifier identifier_type="COBISSID">31047469</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-DI6APWNW</identifier><language>eng</language><publisher>Muzikološki inštitut ZRC SAZU</publisher><source>De musica disserenda</source><rights>InC</rights><subject language_type_id="slv">19.st.</subject><subject language_type_id="slv">glasba</subject><subject language_type_id="slv">glasbeno gledališče</subject><subject language_type_id="eng">music</subject><subject language_type_id="slv">opere</subject><subject language_type_id="slv">operete</subject><subject language_type_id="slv">potujoče gledališke skupine</subject><subject language_type_id="eng">Slavonia</subject><subject language_type_id="slv">Slavonija</subject><title>Entertainment for officers, noblemen, and citizens</title><title>three social initiators of the secular musical stage in Slavonia in the nineteenth century</title></Record>