<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-DJCOYYHO</identifier><date>2025</date><creator>Ćurković, Ivan</creator><relation>documents/doc/D/URN_NBN_SI_doc-DJCOYYHO_001.pdf</relation><relation>documents/doc/D/URN_NBN_SI_doc-DJCOYYHO_001.txt</relation><format format_type="issue">1</format><format format_type="volume">21</format><format format_type="type">article</format><format format_type="extent">str. 243-272</format><identifier identifier_type="DOI">10.3986/dmd21.1.07</identifier><identifier identifier_type="ISSN">1854-3405</identifier><identifier identifier_type="COBISSID_HOST">268483075</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-DJCOYYHO</identifier><language>eng</language><coverage coverage_type="temporal">1707</coverage><publisher publisher_location="Ljubljana">Muzikološki inštitut ZRC SAZU</publisher><source>De musica disserenda</source><rights>BY-SA</rights><subject language_type_id="slv">emblem</subject><subject language_type_id="slv">gledališče</subject><subject language_type_id="slv">oratorij</subject><subject language_type_id="eng">oratorio</subject><subject language_type_id="eng">theatre</subject><title>Music and the gendered image in Handel’s La Bellezza ravveduta nel trionfo del Tempo e del Disinganno (1707), its later reworkings and contemporary stagings</title></Record>