<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-DYYJHV9Y</identifier><date>1999</date><creator>Woodfield, Richard</creator><relation>documents/doc/D/URN_NBN_SI_doc-DYYJHV9Y_001.pdf</relation><relation>documents/doc/D/URN_NBN_SI_doc-DYYJHV9Y_001.txt</relation><format format_type="issue">2, supl.</format><format format_type="volume">20</format><format format_type="type">article</format><format format_type="extent">str. 271-278</format><identifier identifier_type="ISSN">0353-4510</identifier><identifier identifier_type="COBISSID">12100397</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-DYYJHV9Y</identifier><language>eng</language><publisher>Filozofski inštitut ZRC SAZU</publisher><source>Filozofski vestnik</source><rights>BY-NC-ND</rights><subject language_type_id="slv">filozofija umetnosti</subject><subject language_type_id="slv">fotografija</subject><subject language_type_id="eng">photography</subject><subject language_type_id="slv">teorija</subject><subject language_type_id="eng">theory</subject><title>Photography and the imagination</title></Record>