<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-F549WZ3X</identifier><date>2018</date><creator>Monteath, Kathryn Bosi</creator><relation>documents/doc/F/URN_NBN_SI_doc-F549WZ3X_001.pdf</relation><relation>documents/doc/F/URN_NBN_SI_doc-F549WZ3X_001.txt</relation><format format_type="volume">14</format><format format_type="issue">2</format><format format_type="type">article</format><format format_type="extent">str. 43-54</format><identifier identifier_type="ISSN">1854-3405</identifier><identifier identifier_type="COBISSID">44311853</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-F549WZ3X</identifier><language>eng</language><publisher>Muzikološki inštitut ZRC SAZU</publisher><source>De musica disserenda</source><rights>InC</rights><subject language_type_id="slv">17.st.</subject><subject language_type_id="slv">Benetke</subject><subject language_type_id="slv">Britti, Paolo</subject><subject language_type_id="slv">popularna ljudska glasba</subject><subject language_type_id="slv">ulični pevci</subject><title>Paolo Britti, il cieco di Venezia</title><title>street music in seventeenth-century Venice</title></Record>