<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-FLQJJYW8</identifier><date>1970</date><creator>Cevc, Emilijan</creator><relation>documents/doc/F/URN_NBN_SI_doc-FLQJJYW8_001.pdf</relation><relation>documents/doc/F/URN_NBN_SI_doc-FLQJJYW8_001.txt</relation><format format_type="issue">8</format><format format_type="type">article</format><format format_type="extent">str. 133-143</format><identifier identifier_type="ISSN">0351-224X</identifier><identifier identifier_type="COBISSID_HOST">12895021</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-FLQJJYW8</identifier><language>slv</language><publisher>Slovensko umetnostnozgodovinsko društvo</publisher><source>Zbornik za umetnostno zgodovino (Nova vrsta)</source><rights>InC</rights><subject language_type_id="slv">barok</subject><subject language_type_id="slv">Baroque</subject><subject language_type_id="slv">iconography</subject><subject language_type_id="slv">ikonografija</subject><subject language_type_id="slv">painting</subject><subject language_type_id="slv">slikarstvo</subject><title>Ikonografski problem dveh baročnih slik</title><title>Valentin Metzinger - Titus Manlius Torquatus, Simone Cantarini - Oidip se v Kolonu pripravlja na smrt</title></Record>