<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-FMICWJF9</identifier><date>2017</date><creator>Salamone, Frank A.</creator><relation>documents/doc/F/URN_NBN_SI_doc-FMICWJF9_001.pdf</relation><relation>documents/doc/F/URN_NBN_SI_doc-FMICWJF9_001.txt</relation><format format_type="issue">1/2</format><format format_type="volume">49</format><format format_type="type">article</format><format format_type="extent">str. 143-157</format><identifier identifier_type="ISSN">0587-5161</identifier><identifier identifier_type="COBISSID_HOST">65777506</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-FMICWJF9</identifier><language>eng</language><publisher>Društvo psihologov Slovenije</publisher><publisher>Slovensko filozofsko društvo</publisher><source>Anthropos (Ljubljana)</source><rights>InC</rights><subject language_type_id="eng">antihero</subject><subject language_type_id="slv">antijunak</subject><subject language_type_id="eng">culture</subject><subject language_type_id="eng">film noir</subject><subject language_type_id="slv">filmi</subject><subject language_type_id="slv">glasbeni slog</subject><subject language_type_id="eng">Jazz</subject><subject language_type_id="slv">kultura</subject><subject language_type_id="eng">movies</subject><subject language_type_id="eng">music style</subject><subject language_type_id="slv">TV</subject><title>Jazz and noir film</title></Record>