<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-FXZM4TX0</identifier><date>2013</date><creator>Vaupotič, Mojca Polona</creator><relation>documents/doc/F/URN_NBN_SI_doc-FXZM4TX0_001.pdf</relation><relation>documents/doc/F/URN_NBN_SI_doc-FXZM4TX0_001.txt</relation><format format_type="issue">3/4</format><format format_type="volume">42</format><format format_type="type">article</format><format format_type="extent">str. 87-95</format><identifier identifier_type="ISSN">1318-1238</identifier><identifier identifier_type="COBISSID">279175168</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-FXZM4TX0</identifier><language>slv</language><publisher>Društvo SKAM</publisher><source>Tretji dan (Ljubljana)</source><rights>InC</rights><subject language_type_id="slv">francosko slikarstvo</subject><subject language_type_id="slv">ikonografija</subject><subject language_type_id="slv">La Tour, Georges de</subject><subject language_type_id="slv">likovni motivi</subject><title>Georges de La Tour s "caravaggievsko maniro" in njegove Magdalenke</title></Record>