<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-G5OZ8A7J</identifier><date>2023</date><creator>Komel, Mirt</creator><relation>documents/doc/G/URN_NBN_SI_doc-G5OZ8A7J_001.pdf</relation><relation>documents/doc/G/URN_NBN_SI_doc-G5OZ8A7J_001.txt</relation><format format_type="issue">1</format><format format_type="volume">55</format><format format_type="type">article</format><format format_type="extent">str. 31-44</format><identifier identifier_type="ISSN">0587-5161</identifier><identifier identifier_type="DOI">10.26493/2630-4082.55.31-44</identifier><identifier identifier_type="COBISSID_HOST">180121347</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-G5OZ8A7J</identifier><language>eng</language><publisher publisher_location="Koper">Založba Univerze na Primorskem</publisher><source>Anthropos (Ljubljana)</source><rights>BY-SA</rights><subject language_type_id="slv">David Lynch</subject><subject language_type_id="slv">Jedrska bomba</subject><subject language_type_id="slv">Postmodernizem</subject><subject language_type_id="slv">Poststrukturalizem</subject><subject language_type_id="slv">Televizijske nadaljevanke</subject><subject language_type_id="slv">Twin Peaks</subject><title>apocalyptic visions in Twin Peaks: The Return</title><title>The mother of all bo(m)bs</title></Record>